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First, identify the argument Sorace is making about Ai’s politics. Then, consider the projects we looked at in detail: Fairytale (2007) and Human Flow (2017). Do they support or complicate Sorace’s interpretation of Ai’s work?
Since Sorace’s article was published, Ai was allowed to leave China and has been living in Germany and England. Does Sorace’s argument about Ai’s artistic practice hold if he no longer lives in China?
Finally, is Ai’s artistic practice an activist practice? What makes it activist? Draw upon our discussion and Giunta’s typology to support your interpretation.
PS: Watch Fairytale (2007) and Human Flow (2017). They’re both on youtube